
Anomalisa, like all of Charlie Kaufman's films, is a little odd. It would be odd even if it wasn't a stop motion animated film, but that animation adds a whole other level of quirkiness to it. Unlike his other films though, this quirkiness isn't accompanied by a sense of humor. In fact, it's one of the most depressing films of the year.
English actor David Thewlis provides the voice of Michael Stone. He's a self-help author on a promotional tour and the entire film takes place in one night and the following day as Michael visits a customer service convention at a hotel in Cincinnati to deliver a speech. The name of the hotel is the Fregoli, which is also the name of a syndrome where a person sees and hears everyone exactly the same, which is something Michael is suffering from. Actor Tom Noonan provides the voice for all of the characters in the film apart from Michael and Lisa (Jennifer Jason Leigh), including all of the women and even Michael's wife and son, because that is how he hears everyone. And it's why Michael is so excited to hear Lisa's voice, because she sounds like herself and not everyone else. It's why he invites her for a drink and then back to his room. However, it's fairly obvious, and not much of a spoiler, to see that this isn't the sort of movie destined for a happy ending.
Kaufman originally wrote the script as a 40 minute audio play, with no intention of ever filming it. He agreed to turn it into a short film and financed it entirely through Kickstarter, but the campaign was so successful that he expanded it to feature length. I think I would have enjoyed it more as the shorter version.
The film is rated R, and is the first such rated animated film to be nominated for Best Animated Feature at the Oscars. This is mainly the result of the puppet nudity and graphic sex scene. Michael does a full, anatomically correct, frontal nude scene and he and Lisa engage in intercourse on camera. Director Duke Johnson reportedly worked on the sex scene for 6 months in attempt to get it right and make sure the audience took it seriously and not humorously. While I think he achieved that, I still could have done without the cunnilingus scene.
As with all Kaufman's scripts, there are some interesting ideas here. And to be honest, Kaufman and Johnson do manage to draw you into this world and there are times when it's possible to forget you're watching puppets instead of people. This is helped by the voices of its three castmembers. Even though the ending seems sadly inevitable, I still wanted to see exactly how it would all end.
The downside of the movie is that it's really fucking depressing. Michael is living in a dull monotonous hell where everyone looks the same and sounds the same. He's offered a brief reprise and a glimmer of hope, as are we, but it's very short lived. It's not the sort of movie I'd ever want to watch more than once.


















