
January is the well known dumping month for movies not expected to be received very well. Serious moviegoers are busy catching up on award nominated fare while the box office is still dominated by the big budget holiday films. That's why a movie like Broken City, starring several Oscar nominated, big name, movie stars, being released in the first month of the year is a bit of a shock. After watching it though, I'm a little less surprised at the choice of release date. It's a movie not dramatic enough for a fall release, nor exciting enough for a summer one. It's merely a weak attempt at the hard-boiled private eye genre with some famous faces in the cast.
Mark Wahlberg plays Billy Taggart, a former NYPD officer who was involved in the death of a suspected rapist. He was never convicted, but was forced to resign from the force to appease public outrage. Seven years later and he's a private eye hired by NYC Mayor Hostetler to investigate the infidelity of his wife. They Mayor is up for reelection. An election he hopes to win on the strength of the sale of a city owned Public Housing project that has reversed the city's fortunes. When the man Taggart fingers as the Mayor's wife's lover turns up dead, Taggart feels that he's been made a patsy and starts to dig into the Mayor's motives, which, naturally, aren't what they seem.
The cast is the film's greatest strength. Wahlberg will never be the world's greatest actor, but he definitely has presence and this is a part well suited for him. Crowe is equally good as the corrupt Mayor even though he's never really given a chance to let loose. He champs at the bit in a few scenes, but seems restrained by the script. Zeta-Jones, whose career has cooled in recent years, looks good, but isn't given enough to do to really make an impact. Jeffrey Wright brings some weight to the part of the police commissioner supporting the Mayor's opposition.
It's just too bad that the script isn't as strong as the actors. This is a movie that never met a cliche that it didn't like. Admittedly, you expect a few stereotypes in a neo-noir detective story, but this one is almost exclusively made up of elements we've seen before in better written films. It's pretty easy to see where things are going and you can guess how they'll get there. There's an attempt to muddy things and an unnecessary subplot involving Taggart's actress girlfriend, but absolutely nothing in the script should come as a surprise to you.
There's an almost old fashioned feel about this movie. So much so that perhaps the filmmakers should have considered setting it in the past. Perhaps the cliches would have seemed less obtrusive had it taken place in the 1940s or 50s.
Despite the weak story, there are some things to enjoy. Apart from the scenes with the girlfriend, the story moves fairly briskly. Director Allen Hughes has a good eye and he makes good use of the city. This isn't an action movie, but when there is action, it's well executed.
While not a great movie, it's still better than the average January release. With this cast though, it feels like a wasted opportunity.

















