
Fanny is one of my favorite movies. I came across it on TCM one day in the mid 1990’s and fell under its spell. I now watch it whenever they re-show it. The plot is pure soap opera but it is romantic as hell and full of memorable characters. It was shot in Technicolor on location in Marseille, France and released by Warner Brothers in 1961. It was based on the Broadway musical of the same name (the songs were used only to underscore the action as this is a nonmusical version), as well as the trilogy of plays/movies written by Marcel Pagnol in the 1930’s. Fanny received 5 Academy Award nominations.
Like the trilogy, the story is told in 3 acts. I will set the scene of the first act, but as this is one of those movies best enjoyed when discovered as it goes along, I won’t give away too much. It begins in the 1920’s on the waterfront in Marseille. We are introduced to the characters that inhabit this picturesque setting.
There is Cesar (Charles Boyer) a gruff spoken but kindly owner of a waterfront bar. His son Marius (Horst Buchholz) works for his father but dreams of a life at sea. Fanny (Leslie Caron) is the daughter of a local fishwife (Georgette Anys); she is in love with Marius. Panisse (Maurice Chevalier) is a wealthy merchant who has recently suffered the loss of his wife. The story begins on Fanny’s 18th birthday.
Horst Buchholz perfectly captures the yearning for a life of adventure that Marius feels and Leslie Caron is wonderful as a young girl in love struggling to be noble. Still it is the older generation of actors that steals the show. Charles Boyer and Maurice Chevalier, both near the end of their careers, really elevate the movie. The relationship between these two aging men is poignant as well as funny. Georgette Anys is also very good as Fanny’s mother. I love the way she sells fish. “You have to insult the customer so they feel they are getting their money’s worth.”
One unusual aspect of the story is that it has no real villain. Events unfold, some happy - some sad, much as they do in life. The script is rich in both pathos and humor and it balances the two brilliantly. It can put a lump in your throat and then make you laugh in the same scene. Director Joshua Logan makes good use of the location. It was a master stroke to film in Marseille at a time when most movies were still being shot on sets. Fanny is a wonderful, old-fashioned romantic movie like they just don’t make anymore.




















