
With the success of The Girls Next Door “reality” television show, it is no surprise that The House Bunny would get the green light. It is filled with college movie cliches and lacks the nudity of The Girls Next Door, yet Anna Faris’s comical charm keeps the movie afloat.
Shelley is a playmate living in the Playboy mansion. She dreams of one day being the centerfold playmate of the month. However, shortly after her 27th birthday she gets sent packing. 27, it is explained to her, is “...59 in bunny years.”
Down on her luck, Shelley comes across sorority row and soon finds herself the house mother for a group of misfits girls that will lose their charter if they cannot get more pledges. Across the street is the stereotypical rich, snobby sorority house that wants to get rid of them. With Shelley’s social skills, and street walker wardrobe, she decides to help the girls attract pledges and even more importantly, boys. When she teaches them how to apply makeup she explains that, “The eyes are the nipples of the face.”
Faris takes dumb blonde to a whole new level. She makes Elle Woods and Sugar Kane look like genius’s. She keeps hoping “vapid” is a compliment as she constantly gets called that. When asked who she will vote for, she responds, “I definitely won’t listen to what Simon says, he’s just so mean.” She bothers the sorority girls when she walks around naked. She explains that it is natural, because she is as God and her plastic surgeon made her.
Faris does not get all the laughs. The head sorority girl is such a nerd that her suggestion for a social event is to have a ferret dress up party. When she is trying to ask a boy over, while her mouth is full of food, she asks if he wants to come over to watch Battle Star Galactica. The funniest line in the whole movie is when the lumber jack chick tries to talk to some guys at a bar by asking them, “Do you guys know where the crapper is? I have to drop some timber.”
Not all of the jokes work. A guy makes fun of one of the misfits girls who wears a back brace, by saying, “Oil can, oil can.” Is a seventy year old movie reference really the best joke the writer could come up with? Faris also pays homage to Marilyn Monroe by imitating her famous scene from The Seven Year Itch. (1955)
The House Bunny is as predictable as any movie there is. You are never surprised by anything that unfolds. However, the charm of a beautiful, dumb woman, with good intentions is contagious. She provides something nice to look at, while your laughing. It is a great combination.

















