
J.D. Salinger has so much to answer for! Here we are yet again presented with a movie about a young man's coming of age that is a direct descendant of The Catcher in the Rye. Igby Goes Down can also be traced back to The Graduate, one scene at a party is nearly directly lifted from that other coming of age classic. Such a heritage means that Igby Goes Down has a great deal to live up to. The only question is, is it up to the challenge? The answer is a qualified yes.
The movie begins with the two Slocumb sons sitting at the deathbed of their mother waiting for her to die. When it doesn't seem to be happening fast enough, they help her along with a plastic bag over her face. The movie then moves back in time and tells how they got to this point. The opening scene is both funny and shocking and immediately sets the tone for the rest of the movie. Igby comes from an upper class dysfunctional family. He is constantly kicked out of prep schools and eventually he runs away and hides out in New York City. (See what I mean about Catcher in the Rye, now don't you?) He stays with his godfather's mistress in a loft in SoHo so big, you could fit about ten average size New York apartments in it. While there, he meets a girl a few years older than himself and they have a brief affair. Eventually circumstances begin to sour and we are led back to that opening scene, but I won't give away how.
Several things make this movie stand out, but the best thing it has going for it is its cast. How, you might ask, did first-time director Burr Steers get such a list of well-knowns to appear in his freshman picture? Well, it might have something to do with his uncle being Gore Vidal (who even appears in a cameo role as a priest). But how he got them aside, this is a stellar cast, with everyone playing their roles to perfection. Sarandon is very good as the matriarch of the Slocumb family and Ryan Phillippe, who could play a snobby prep school role in his sleep, plays the overachieving older brother quite easily. Claire Danes (whatever happened to her?) plays the slightly off-kilter college co-ed, involved with both brothers, so skillfully, that you wish they would delve into her character more.
The standout award though, has to go to the movie's star; Kieran Culkin. One of the Culkin clan, you might assume, as I did, that he was just another of the Culkin kids, indistinguishable from all the others. When actually he is quite good, holding the movie together all on his own. Managing to play the troubled youth without making him seem like a cliche. Handling drama and comedy with ease, this movie could prove to be the start of a major career for him.
The script is also good, both funny and dramatic. Personally, I enjoyed the humor more than the drama, but that might be just a personal preference, as I've always liked my comedy dark and twisted. The moment with the Lorna Luft impersonator waking Igby up by hitting him with a box of Lucky Charms and ensuing scene, made me laugh the hardest. ('I told you Lorna Luft was too obscure. Everybody thought you were just doing a bad Liza.')
What I didn't like about this movie, apart from the overused theme and slightly too familiar plot, was the tendency for the story to stand back from the characters without delving too deeply into them. Sometimes less is more, but in this case I would rather have seen more. Sarandon's character is supposed to be the bitch who screwed up Igby's life, but unless she did more than is shown, Igby should thank her for being such a good mother. And as I mentioned earlier, I would have liked to have learned more about Claire Danes' character, but instead she remains something of an enigma.
So while it is a great cast, including a breakout performance by its central character, and contains some truly funny and dramatic moments, the storyline is just too well-trodden, without enough background to make some of these characters real, for it to become a classic.


















