
From Russian writer/director Andrey Zvyagintsev comes this modern tragedy that was inspired by such disparate elements as the true story of Marvin Heemeyer and the Bible's Book of Job. Heemeyer made headlines after he rampaged through the small town of Granby, Colorado on a bulldozer in 2004 over a property rights dispute, and, according to scripture, Job endured a series of calamities as a test of his faith. So it should be perfectly clear from the start that Leviathan isn't a happy movie.
The film is set in Northern Russia on a desolate peninsula near the Barents Sea. A local man is in a legal dispute over his property with the corrupt mayor of the town. He is married to his second wife and has a teenaged son from his first marriage. He enlists the help of an old friend who now practices law in Moscow. This friend has been able to dig up plenty of dirt on the mayor and plans to blackmail him into giving up all claims to his friend's land. Of course things don't go exactly as planned and the story turns tragic.
Corruption of both church and state, and betrayal, are its themes. It should therefore come as no surprise that the powers that be in Russia have sought to suppress Leviathan (the crooked mayor has a picture of Vladimir Putin prominently displayed in his office). Vladimir Medinsky, Minister of Culture, has publicly criticized the movie for what he calls its negative stereotypes of Russian culture and has even proposed guidelines that would ban movies that “defile national culture.” Apparently Zvyagintsev struck a nerve.
The story is paced languidly. The camera moves slowly and there are many long establishing shots. The desolate landscape is lingered on often. The land, water and sky are stark yet beautiful. The characters smoke cigarettes constantly and consume copious amounts of vodka. In one scene they mix vodka and armed target practice while on a picnic with women and children present.
The acting is first rate. Aleksey Serebryakov and Elena Lyadova are both terrific as a married couple enduring hard times. Roman Madyanov is perfectly despicable as the mayor. He represents the corruption of the state while a high priest named Vasiliy represents the corruption of the church. When the crooked mayor seeks advice from the priest he is given tacit permission to use the threat of violence to get his way. Betrayal by supposed friends is also a theme of Leviathan. These details are best discovered as you watch the film, so I will write no more about that.
Leviathan is up for Best Foreign Language Film at this year's Academy Awards. It already won this award at the Golden Globes, making it the frontrunner in the category at the Oscars. Zvyagintsev is a master filmmaker. His movie tackles grand themes in an intimate manner without spelling out every detail for the audience. The cinematography is as piercing and bleak as the story being told. You certainly won't leave Leviathan feeling uplifted about the human condition but you will feel as if you have witnessed a very true to life story about greed and mankind's often self-serving nature.

















