
Kevin James presents a rare movie character in Paul Blart: Mall Cop. Written by James and Nick Bakay, Paul Blart is an under achiever who is content in his professional life, even though his personal life could use some help.
Due to health issues, Blart was not able to become a policeman. Instead, he is a mall security guard. Although it was not his first career choice, Blart takes great pride in his work. He lives with his mother and daughter. His wife left them years ago, as she just married him to get a green card. One day, during the busy holiday shopping season, Blarts mall gets taken over by a gang of thieves and it is up to him to save the day.
What makes Blart so unique is that he is fat. Okay, so that is not exactly unique, but how James plays Blart is. He never pretends he is on a diet or outright embarrassed by his size. Even more interesting is that the movie makes jokes about his eating, but not at him. At one point his mother asks what can she make him for dinner that will cheer him up. A depressed Blart says it does not matter as he walks out of the kitchen, only to return twice as he thought of some food that might do the trick. Even Blart's daughter is fat, but it is never treated like a handicap.
Of course this is a Hollywood film so some cliches remain. Blart is in love with a twenty something, Anna Faris look alike, named Amy, who works at the mall. At first he nervously talks to her, but after his heroics with the thieves, she of course ends up in his arms. Only in a movie would a beautiful twenty something end up with an overweight, under achieving, forty something single father who still lives with their mother.
Paul Blart: Mall Cop clocks in at a brisk 87 minutes. With so many pretentious, award seeking movies lasting well over two hours, it is nice to find one that does not involve bladder strain while watching it. Although I will never hear its named called on any award show, and it often resembled a sitcom, I probably had a better time watching it with my son, than I will have watching any of the overly long melodramas up for the best picture Oscar.



















