
Shame, from British born writer/director Steve McQueen, offers a bleak look inside the life of a successful Manhattan thirty-something with a sex addiction. Michael Fassbender gives one of the year’s most gut wrenching performances as the impeccably attired and outwardly charming Brandon Sullivan. Just beneath his highly polished veneer he’s a man drowning in loneliness and despair. This is Fassbender and McQueen’s second movie together following 2008’s Hunger.
Brandon’s life revolves around internet porn, masturbation and sex with prostitutes. He is incapable of a meaningful romantic relationship. When his equally damaged sister shows up out of the blue, needing a place to stay, she cramps Brandon’s style. Her inappropriate behavior raises a mirror to his equally self-destructive life style. In perhaps the movies’ most touching scene Mulligan (her character is an aspiring night club performer) sings a melancholy rendition of “New York, New York” that moves her brother to tears.
Carey Mulligan matches Michael Fassbender in intensity. The body language between brother and sister more than hints at a history of incest; and although we never learn the details about their past, we clearly get the picture. The most telling bit of dialogue comes when Sissy leaves her brother a desperate voice message saying, “We’re not bad people, we just come from a bad place.”
The movie has a gritty look to it and features a resident’s eye view of the city. It takes the viewer to places around Manhattan that very few tourists get to see. McQueen’s style includes lots of lingering shots. He paints stills with his camera and utilizes the close-up to good effect. There is one especially intense shot of Fassbender’s face as he has sex. You can see the pleasure of the approaching orgasm but also the emptiness and pain in his eyes. It is a brilliantly acted moment.
The movie earns its NC-17 rating with plenty of full frontal nudity and graphic sex. Fassbender’s penis nearly deserves a credit of its own. The story climaxes (pun intended) with Brandon going on a sexual bender that includes sex with men at an underground sex club and a three way with two women.
The story moves at a deliberate pace. Anyone looking for a happy ending (or any real resolution for that matter) will be disappointed. Shame is a slice of life snapshot of one man’s sex addiction over the course of one week. It is content simply showing the symptoms, which it does vividly and poetically in Brandon and Sissy's behavior, but without delving into the causes or solutions. Therefore Shame raises more questions than it answers. It features great acting and a consistent art-house visual style but the story itself ultimately left me feeling dissatisfied. But perhaps that was the director’s intention…


















