
Time Bandits is probably Terry Gilliam's most accessible film. Brazil will always be known as his greatest artistic achievement, but for sheer entertainment Time Bandits is one of his best. It is also his only real children's movie.
Co-written by Gilliam and fellow Python-alum Michael Palin, the story centers around a young boy named Kevin who is visited one night in his room by a group of midgets who are on the run from the Supreme Being of the universe because they've stolen his map. The map contains the location of all the "holes" in the universe. These holes are portals that lead to different places and time throughout history. These Time Bandits are planning to use the map to get rich by robbing people throughout history. The Evil Genius (The Supreme Being's opposite) however, sees the Bandits and their map as his chance to to escape from the Fortress where he has been imprisoned.
Palin, along with writing, also makes a couple of appearances alongside Shelly Duvall as two star-crossed lovers, with a comic difference of course. There are other celebrities who pop up in different places through the movie. Yet another Python, John Cleese makes a quick, but funny appearance as Robin Hood. And perhaps surprisingly in such a comic movie, Sean Connery makes a short but memorable appearance as King Agamemnon.
The movie at times seems to be a series of short stories. Kevin and the Bandits visit Napoleon. They visit Robin Hood, they travel on the Titanic, they encounter an ogre on a ship. That's the problem with the movie also because not every scene flows together. It really does come across at times as a string of vignettes. They build toward a climax, but not as tied together as they could have been.
Probably because of Palin's writing, this movie has a very Python feel to its humor at times. There's a game show that is referenced a couple of times that could have been taken straight from a Python sketch, called "Your Money or Your Life." Palin's love scenes with Duvall and Cleese's Robin Hood could equally have been Python sketches as well. They're the funniest parts of the movie but they don't necessarily help the narrative.
Like all of Gilliam's movies there is some striking imagery here. The giant maze and the cages hanging above them are well done and perhaps the most memorable is the giant who rises from the ocean with the ship on his head.
With a budget of just $5 million and a box office haul of over $40 million, this is probably one of Gilliam's most commercial of all films and also one of his most entertaining.




















