
When 2012's The Amazing Spider-man was released, many critics complained that it was too soon for a reboot, but I actually enjoyed it. The cast was terrific and the story and the action very well done. With most of the same cast and the same director returning for its sequel, I had high hopes for it, but a meandering story, some silly dialogue, and an overly long running time all work to make this sequel far weaker than its predecessor. Perhaps along with the cast and the director, they should have brought back the same writers too.
The plot is overstuffed and features not one, not two, but three super-villains. It mixes soap opera with its action and adds in some silly humor that induces more groans than laughs.
The story picks up at Peter Parker's and his girlfriend Gwen Stacy's graduation. Peter is haunted by the promise he made to Gwen's father that he would keep her away from danger and so he breaks up with her, leading to the soap opera portion of the plot and the will they or they won't end up together or will Gwen go off to Oxford to attend university.
Meanwhile in the supervillain department, Jamie Foxx does his best to make us forget he once won an Academy Award for acting as Electro, a nerdy engineer who is transformed into a glowing, misunderstood bad guy who just wants some attention. Dane DeHaan makes a creepy Harry Osborn who discovers that he is dying and thinks that the only cure for him is some of Spider-man's blood. And in a smaller role, Paul Giamatti does his best to make Jamie Foxx's performance in this film look like it deserves an Academy Award by playing a Russian mobster so over-the-top that he's practically in orbit. His accent is so thick and cliche ridden that you'll expect to see a moose and squirrel pop-up somewhere. In an overly long and unnecessary epilogue, he becomes Rhino.
All of these different plot elements and some smaller ones, like Aunt May struggling to make ends meet, Peter coming to terms with his abandonment issues, and even an unnecessary scene involving two near collision airplanes, all add up to a running time of 2 hours and 22 minutes, the longest Spider-man film yet. And given all these extra things going on in the story, you feel every minute of that time. There's enough plot to fill two Spider-man movies.
The best thing this movie has going for it is its two leads. Garfield and Stone, who are dating in real life, share a nice chemistry together. They both look and behave way beyond high-school age, but their scenes together are still the most enjoyable, which is another of the movie's problems. When a superhero movie is more entertaining when the superhero is with his girlfriend instead of when he's out being a superhero, you know something is wrong. Still, there scenes together, especially at the film's climax, are the only scenes with any sort of emotional resonance.
Comic book movies have come a long way since the 1990s. There have certainly been enough of them since then. They've gone from being campy and comedic to something often quite sophisticated. This one feels like a throwback, more like the Joel Schumacher Batman films than something made in this decade.






















