
This new version of the Disney animated classic The Jungle Book is being touted as a live action film, but It can just barely be called that as the only live thing on the screen is Neel Sethi, who plays Mowgli. Although he has all animal co-stars he never filmed a single scene with any real animal. In fact, there were no animals even on set. The animal characters were performance puppets and later animated over or just animated all together. Even the locations in the film are computer-generated. The story takes place in India, but it was entirely filmed in Los Angeles.
I found those facts annoying because the movie wants to be one thing but is actually another. Now, let me be clear. The animation is pretty amazing. It is easy to get lost in the adventure of this movie as the look is so convincing even if it is obvious that Sethi never shared a single scene with another single living creature. Still, as my brother Patrick often notes, no matter how detailed, CGI lacks the soul of a real living breathing creature.
Mowgli is a boy raised by wolves in the Indian jungle after his father was killed by the tiger, Shere Khan, who years later still wants revenge on Mowgli as he wears the scars on his face from where Mowgli's father burnt him with the red flower (fire). Mowgli was found and given to the wolves to raise by the black panther, Bagheera, who now decides that Mowgli must return to the man village for his safety. They begin a journey and an adventure that puts Mowgli face to face with Shere Khan, Kaa, a large hungry snake, the friendly bear Baloo and King Louie, a gigantic orangutan, whose initial appearance on screen pays homage to Marlon Brando's first scene in Apocalypse Now (1979).
Mowgli has one adventure after another. Some scenes are a bit scary. Kaa comes awfully close to suffocating him in her coils. Louie chases Mowgli through his monkey place, tearing it apart and nearly killing Mowgli in the process. Then, of course, there is his final confrontation with the evil Shere Kahn. Not only does Mowgli face dangerous animals but Mowgli learns that he is likewise a dangerous creature. After Mowgli runs through the jungle with a burning torch, I half expected Baloo to turn to the camera and say, "Only you can prevent forest fires." It never gets preachy but a point is definitely being made.
Although the adventure is elevated and a moral about embracing your own abilities is taught, the amount of fun, so prevalent in the 1967 cartoon, often feels missing. Mowgli walked through that film fairly oblivious to the real danger he was in. Here he never forgets and rarely gets a break from someone trying to abduct, threaten or eat him. I looked forward to the famous songs in anticipation that they would lighten the mood.
With the exception of Scarlett Johansson, as Kaa, telling Mowgli to, "Trust in me," The only songs to make the final cut are "The Bare Necessities" and "I Wanna Be Like You". One of the biggest highlights of the 1967 film was the joyous version of, "The Bare Necessities."In Broadway terms, it was the showstopper. It was the forerunner of Hakuna Matata in The Lion KIng (1994). Here, Bill Murray and Sethi sing it without any of the pluck and half the celebration that made the song so catchy. The less said about Christopher Walken's slowed down, dramatic version of Louis Prima's "I Wanna Be Like You" the better.
The Jungle Book has plenty going on to capture your child's attention and moves along at a quick enough pace to hold it. If only Jon Favreau could have better worked the songs or maybe even left them out all together to avoid comparison.




















