
If Little Black Book has one redeeming feature, it is the likeability of its star, Brittany Murphy. The plot is just another woman needs a man to be happy story. The humor is fairly lame and most of the characters are stereotypes and caricatures. It might please a portion of its target audience – single young women – but probably not even many of them.
Murphy stars as Stacy Holt, an associate producer on a Jerry Springer-type show. A fellow producer pitches an idea for the show about women investigating their boyfriend's past relationships by going through their boyfriend's little black books. Around this time, Stacy's boyfriend Derek (Livingstone) goes out of town on business and conveniently forgets to take his Palm Pilot. At the urging of her friends, Stacy goes through the Pilot and begins to learn about Derek's past girlfriends, many of whom he has secretly remained in contact with. Jokes fail to ensue from this setup.
For a movie marketed as a romantic comedy, this movie is totally devoid of romance. Livingstone is completely one-dimensional as the sports agent boyfriend who fails to create any sort of chemistry during his limited screen time, although it is the writers rather than the actors who are to blame. The scenes between Stacy and Derek are limited to a few kisses and several phone calls, which only serve to advance the plot and not add any depth to their relationship.
The plot line involving the sleazy talk show seems promising at first. Surely there are plenty of jokes that could be made by satirizing daytime television, especially when someone as talented as Kathy Bates is playing the host. This turns out to be another idea that never gets off the ground and Bates ends up wasted in a throwaway part that could have been played by anyone.
Only Murphy, with her quirky cuteness, manages to breathe life into her character. However, even her cute likeability isn't enough to resuscitate this lifeless film. What few heartbeats there are, however, are entirely due to her.
Several times during the movie, the characters invoke the memory of the Melanie Griffith/Harrison Ford movie, Working Girl. Perhaps the filmmakers hoped that some of the success of that film would rub off on this one. Instead, the constant references to a good movie only serve to remind us how bad the one we're watching is.


















