
Who knew that Danny Boyle, the director of such dark movies as Trainspotting and 28 Days Later, could direct such a heartwarming story? I for one, while already knowing how talented he was, certainly didn't expect a movie like this one. However, anyone to whom heartwarming and family-friendly aren't four-letter words, should be glad he did.
The story takes place in Northern England, just before the New Year when the Euro is set to replace the English pound. A widower and his two young sons are moving into a new house. The youngest son, eight-year-old Damian (who narrates the film), is obsessed with the Catholic saints. One day, while sitting in a fort he's built out of the empty moving boxes, a large bag of money lands on top of his fort, seeming to fall out of nowhere. He shows the money to his brother, who immediately wants to spend it. Damian, who believes it was sent from God, wants to give it away to the poor. With only a week or two to spend it, before it becomes worthless, they have to decide quickly.
To keep the movie from becoming too artificially sweet, the makers of the film have wisely thrown in a great deal of humor, several quirks, and at least a hint of danger when the true 'owners' of the money come looking for it.
The quirks come in the form of several Catholic Saints who appear to Damian in what might, or might not, be just his imagination. Damian, who knows the stats of each saint the way most boys know the stats of their favorite sports player, never questions whether they're real or not, but asks each one if they've met his dead mother.
If all this goodness sounds too cloying, don't worry, it's not. Anthony, Damian's brother, wants nothing more than to spend all the money he can, even going so far as to try and buy real estate so that he'll have a solid investment. He also uses his newfound wealth to his best advantage at school, getting chauffeured on the back of a friend's bike and having his food delivered to him in the cafeteria.
Boyle keeps a restrained hand on the rudder and never lets the sentiment take control. He also provides several small and touching moments that pass almost unnoticed; such as when Damian crawls into bed with his dad and you see that his dad has been sleeping with pillows placed on the opposite side of the bed where his wife would have slept. It's in the little moments like that one in which this movie finds its true heart.
I'll never doubt Danny Boyle's ability to direct a movie, in whatever genre he wants to work in, again.


















