
Yet another movie out at awards season with connections to the Holocaust. At least this year Hollywood seems intent on trying to tell the story from different angles. The Reader is more concerned with German guilt following the war than with telling the story of the war.
Fifteen year old Michael is a German student who meets Hanna, a 30-something bus conductress with whom he begins an affair over the course of one summer. He reads to her (hence the title) and they have sex. When Hanna is offered a promotion at her job however, she moves away rather than accept it and their affair ends. A few years later Michael is a law student who attends the trial of six women who were former guards at a Nazi concentration camp. He is horrified to discover that one of the women is none other than Hanna.
Winslet does her usual great job of acting and yet it surprises me that this is the role the Academy chose to nominate her for rather than Revolutionary Road as that is the more showy role. Here she is a much more controlled character and her acting is much more subtle; a style of acting that I much prefer, but is often overlooked by the Academy. I also see why this part was nominated and won the Best Supporting Actress Golden Globe, because while she does have the largest female part, David Kross and Ralph Fiennes as the younger and older versions of Michael are the real stars and have vastly more screen time than she does. All of the attention generated by the movie seems to be focused on her, but young David Kross does an excellent job as well.
This has to be one of the few major films to be released where a Nazi is presented as more than just a monster or a one-dimensional character. Hanna's actions aren't white-washed and we are told of some of the truly inhumane things she was responsible for, but the movie implies that basically she was just doing her job. This hardly excuses her actions and this movie isn't trying to do that, but in all probability the majority of Nazis were doing just that; obeying orders without questions.
The younger generation; Michael's generation, is left to deal with the cultural inheritance of the Nazis and question of who did what and what did everyone know and how do they relate to the people in the past generation who were apart of it. It's this relationship between the generations as epitomized by Michael and Hanna's relationship that is the crux of the film.
I confess that the only reason I watched this movie was because it was nominated for a Best Picture Oscar. Happily I ended up enjoying it much more than I thought I would. It's a fairly heavy movie but it moves quickly enough and keeps your attention. It's not the kind of movie you'll want to watch repeatedly, but it's entertaining enough the first time.


















