
The Johnny Weissmuller Tarzan movies are probably the most famous of all the different versions that have been made of the famous jungle dweller. 1932's Tarzan the Ape Man is the film in which Olympic Gold Medal Winner Weissmuller made his debut and surprisingly enough it still holds up pretty well after nearly 80 years.
Despite this being the first of 12 Tarzan movies for Weissmuller, Tarzan's origin is never explained in it. In fact, the plot bears very little resemblance to the Edgar Rice Borroughs' novel from which it gets its title. Unlike the novels, where Tarzan is basically a super-human genius, this Tarzan is strong, but not too bright. Apparently the filmmaker's were banking on audiences either already knowing or not caring just why Tarzan was living in the jungle with apes.
The story begins with Jane Parker visiting her father in Africa where he and his partner Harry are searching the jungle for the elephant's burial ground where they hope to make a fortune from all of the ivory. Jane joins them on their quest and they soon find themselves beset by wild animals, violent natives; both large and small, and a mysterious ape man who is smitten by Jane.
Not everything about this movie holds up well. There are some early scenes of rear projection that are really bad and the men in ape costumes are just silly. The overt racism seems incredibly dated and a little shocking now. Jane's father whips the native bearers and when he tells Jane that Tarzan has no feelings, she replies, “But he's White!” And the midgets painted up to look black are just unintentionally funny. There are also a couple of awkwardly inappropriate moments between Jane and her father near the beginning of the film.
Despite the many dated aspects this is still an enjoyable movie. When Tarzan wrestles the lion for instance it actually looks quite genuine. And despite being able to see the trapeze a few times, when Tarzan is whipping himself through the jungle, it still looks good.
One aspect of the film that I'd never noticed before, not having seen it since I was a boy, is the sexual chemistry between Tarzan and Jane. For one thing, Maureen O'Sullivan was a hottie in her day and she shows herself off a few times in this pre-code film. When Tarzan drags her off to his nest and they're wrestling around, it's pretty easy to see Tarzan didn't kidnap her to make small talk. They share another moment in the river with Jane in a torn up dress and Tarzan massaging her foot.
Overall this is a fun movie with even the dated, poorly filmed scenes merely increasing the enjoyment rather than damaging it. It's easy to see why a franchise was born from it. With Hollywood's penchant for remakes and franchises I'm only surprised no one has seriously tried to revive this one in over twenty years.


























