
Wholly Moses wants to be to the Old Testament what Monty Python's Life of Brian is to the New. However, despite some funny moments, it never approaches the heights of heavenly hilarity of the Gospel according to Monty Python.
Dudley Moore stars as Herschel, a contemporary of Moses. Like him, Herschel was set adrift in a basket, but instead of being found by the Pharaoh’s daughter, he is picked up by a family of idol makers. When he overhears the burning bush speaking to Moses, he mistakenly believes it to be speaking to him and so sets out to free the slaves of Egypt. Along the way, the film parodies such bible stories as Sodom and Gomorrah and David and Goliath, among others.
The film is filled with a large cast of character actors of the period, most of whom would go unrecognized by someone watching the film for the first time today, unless they'd lived through the 1970s. The biggest guest star is Richard Pryor as the adult Pharaoh, who has a small, mildly amusing scene. The always reliable Madeline Kahn also has a small part, but even she is unable to do much with her short scene. Laraine Newman plays the female lead opposite Moore and if anything could be greater evidence of the 1970s, I'm not sure what that would be. Of the original cast of Saturday Night Live, her's was the least successful career.
Director Gary Weis worked as a director on Saturday Night Live and this film in many ways feels like a series of sketches from that show. Some of them work and some of them don't. Each of the scenes contain a few laughs, but often they go on a little long. The film tends to move from scene to scene, introducing a new guest star in each. The casting director seems to have been the hardest working person of the production.
Although it's of a rather low quality and many of the jokes don't work, quite a few of them do. This was a movie I saw many times as child. HBO of the early 1980s seemed to have a limited number of movies to show and this one was featured heavily in its rotation. My 12 year old self found it very funny. Even now, some 30 years later, I still found it tolerably amusing. Not every joke works, but there are so many of them that the ratio of good to bad jokes means that when you're groaning at one, you'll be laughing at another one before long.
Upon its release, Life of Brian was protested by religious groups as heresy. Wholly Moses is silly and lowbrow enough that it never generated equal controversy. It's in every way inferior to that other film, but silly enough to provide a few cheap laughs.



















