
Ten years after first introducing him in Yossi & Jagger, director Eytan Fox revisits Dr. Yossi Gutmann in Yossi. Although at first it seems hard to believe that ten years have gone by so quickly, one look at actor Ohad Knoller and this truth will become self-evident. He has gained at least thirty pounds and his face looks jowly and haggard. All of which suits the character.
Since the death of his lover, Yossi has lead an extremely lonely existence. He works long shifts at the hospital in Tel Aviv where he's a cardiologist. He eats take-out alone and jacks-off to internet porn. He is still in the closet and being pursued by a female coworker.
One day he recognizes a patient as his dead lover Jagger's mother. He insists on treating her. She thinks he looks familiar but can't place him. He gives her a ride home and she tells him about her son and even shows him a photo. Obsessed with the idea, he eventually gets up the nerve to visit her and he bares his soul, telling both of Jagger's parents the truth about the relationship he had with their son. He goes into detail about Jagger's death, telling them how he kissed him goodbye in front of the other soldiers. I won't give away how Jagger's parents react to this news.
Yossi is such a morose and lonely man. He is insecure about his body and doesn't like being touched or looked at. Ohad Knoller really captures a sense of self-imposed isolation. I don't want to give away too much but a chance encounter with a group of young soldiers will change Yossi forever by reawakening him to the wonders of life and love. The ending might be a fantasy but it is a welcome conclusion for a screen character that has suffered more than enough.
Like the first movie it runs less than ninety minutes. Yossi tells its story quickly and without any undue dramatics. It starts out quite depressing but changes gears quickly during the second half. Yossi might not achieve the heights of romance and tragedy found in Yossi & Jagger, but it does provide a satisfying denouement for the character of Dr. Yossi Gutmann.


















