
Every year I try to watch every Oscar nominated film, which inevitably means plowing through plenty of pretentious and overly dramatic films. That's why it's always such a wonderful surprise to stumble upon a nominee like this film (Best Makeup and Hair), which is just a pure delight from start to finish. It's a surreal comedy of almost Pythonic proportions with a plot that plays out like a Swedish Forrest Gump only with more laughs.
The film stars 48 year old Robert Gustafsson as Allan Karlsson, but he spends much of the film made-up to look like the 100-year-old man of the title. It begins on his 100th birthday in an old folks' home (where he ended up after using dynamite to blow up the fox who killed his beloved cat), but instead of celebrating with the staff and the local media, he slips out the window and heads to the bus station where he buys a ticket to wherever his pocket change will take him. When he innocently agrees to mind a fellow passenger's suitcase, his adventure really begins. It turns out that the suitcase is packed with money, and after Allan wanders off with it, he meets up with a colorful cast of characters while at the same time being pursued by a motorcycle gang and the police.
In between these misadventures, Allan reminiscences about his long life, which turns out to have been storied and rich. An attraction to blowing things up lead him first to an insane asylum, then to the Spanish Civil War (where he saved the life of Franco), and then eventually to working on the Manhattan Project, where he becomes drinking buddies with Harry S. Truman. And the rest of his life is even more colorful. He meets Stalin, befriends Albert Einstein's lesser known-and lesser intelligent brother-Herbert, becomes a spy, meets Ronald Reagan, and is almost solely responsible for the dismantling of the Berlin Wall. No matter what happens to him though, or who he meets, Allan remains completely unflappable. His simple minded, sweet nature carries him through every situation.
The comedy is both silly and dark. More than one person dies and most of their deaths are played for laughs. Allan is the center of the story and the humor, but the supporting cast provides plenty of the humor as well. The disinterested and dimwitted police detective trying to track Allan down and the even more dimwitted Herbert Einstein both manage to steal a few scenes from a cast of scene stealers.
Perhaps the most wonderful thing about this odd little movie is that it always surprises you. Most movies, no matter how good, are pretty predictable. This one though, will keep you guessing right up until the end. Those who like their comedy just a little bit twisted and silly will find plenty to love about this one. And for the record, although it's unlikely to win going up against The Revenant, the Makeup Oscar nomination is well deserved.




















