
The Joneses (as in "Keeping up with...") never really works on any level. It wants to make a statement about our culture of mass consumption, but its message is muddled and aimed at the wrong target. It also wants to be funny, but it never elicits more than a chuckle. For this movie to work it should really have gone surreal and out there or took a stance and stood by it, but it never does.
Duchovny and Moore play Steve and Kate Jones, a seemingly rich, happy, good looking and all around perfect couple who are the parents of Jenn and Mick Jones, the seemingly perfect teenage son and daughter. I say seemingly (and if you saw the previews, you already know this) because in reality they're not a family at all, but marketers who pose as a family, move into an affluent neighborhood and try to start fashion and shopping trends in the area by becoming popular and showing off all their possessions so that soon everyone will want to be like them. Things don't go that smoothly though when the "daughter", who isn't really a teenager, starts having an affair with a much older man. The son, who's supposed to be a ladies man, turns out to be gay and makes a pass at his "girlfriend's" brother. Things get further complicated when Steve starts to really fall for Kate.
The message of the movie is definitely muddled. It shows through the neighbor, played by Gary Cole, what the cost of trying to keep up with the Joneses can be, but who's it blaming? Is it blaming the neighbor who foolishly tries to live beyond his means? Or is it trying to misplace the blame onto society as represented by the Joneses? Or is it just reporting things and letting the audience sort it out? Whatever the case, it's not saying anything original or meaningful.
I found it ironic that a movie that seemed to condemning consumerism features several instances of blatant product placement. Dell computer and Audi both feature heavily in the film. Is it this commercialism that holds the script back since they can't anger the people putting up the money for it?
At least the cast is good. Moore and Duchovny are believable in their parts, even if you never really learn that much about them. Likewise Heard and Hollingsworth do a decent enough job as the daughter and son. They're just not given enough to work with.
With the recent recession and consumer spending dropping and a backlash against commercialism happening, you'd think this movie could find plenty to say, but instead it plays it very safe and rather dull.

















