
Nate & Margaret is a little independent feature from first time director/writer Nathan Adloff. It premiered at San Diego FilmOut last June before going into limited release. Given the title and the fact that it centers around an unlikely friendship between a young man and a much older woman, comparisons to Harold & Maude are inevitable. Sadly this movie is not in the same league with that cult classic but the truth is, beyond what I mentioned above, the two movies have very little in common.
Nate is a 19-year-old film student living in Chicago (presumably based on the director). His best friend is a 52-year-old aspiring stand-up comic who lives in the same building. The movie begins in the middle of their story. We don't see how they met or how this rather unusual friendship developed but it's clear these two lonely souls are simpatico.
When Nate gets his first boyfriend it leads to a crisis in his friendship with Margaret. James (the boyfriend) doesn't get why Nate wants to hang out with an old lady. When Margaret invites them both over for dinner, James is rude to her. This leads to a dramatic confrontation between these formerly steadfast friends. Will they patch things up before the end credits roll?
Tyler Ross (who bears a passing resemblance to Zac Efron) proves himself a capable young actor as Nate. He's optimistic but shy. He films Margaret's stand-up routines for her and offers his opinion on her jokes. At the beginning of the movie he has yet to experience romance and dating, while Margaret is bitter about being alone.
Margaret is played by Natalie West, whom many people will remember from the Roseanne sitcom. She played Crystal, Roseanne's mousy coworker and friend. Although she is now in her fifties she is recognizable still, especially her voice with its Midwestern cadence. On the surface Margaret is pitiful but underneath she's made of steal. She grew up watching her father abuse her mother. Domestic violence jokes make up most of her routines.
Nate & Margaret isn't bad for a novice filmmaker, although it's not as funny as it should be, particularly Margaret's comedy routines. Nathan Adloff demonstrates talent he just needs a bit more experience to fully cultivate it. Perhaps he should stick to directing and leave the writing to others. It does deserve praise for its nonchalant approach to gay characters and situations.

















