
North Country, while proving that Charlize Theron's performance in Monster was no fluke, is far too much of a go-for-the-heartstrings type of movie. Apart from its star power, you could be forgiven for thinking that you're watching a made-for-TV movie of the week. The story is set in 1989 and is inspired by real events, but this is clearly real events as seen through the Hollywood lens of melodrama.
Theron plays Josey Aimes, an abused wife who leaves her husband and moves back to her hometown in Minnesota where she takes a job working in a mine. While the pay is good, she and her fellow female employees are forced to endure an almost non-stop barrage of harassment by the men who work there. When the harassment culminates in an assault upon her, she decides, inspired by the Anita Hill/Clarence Thomas case, to sue the mine for sexual harassment.
Over the course of the trial, Josey's sexual history is dragged over the coals and adding to the melodrama, we learn one major secret about her past. As her lawyer (Harrelson) puts it, the defense uses the "Nuts or sluts" ploy, meaning that they want the judge to think that she's either crazy so she made it up or that she's a slut and asked for it.
My biggest complaint about this movie is the way in which it depicts nearly every man in it as a total asshole. There are only two decent guys in the whole story; Harrelson's lawyer and Kyle (Sean Bean), the husband of Josey's best friend. Every man who works at the mine is either a wimp or a chauvinist to the millionth degree. Josey's husband beats her, her father is ashamed of her, her son hates her, her boss belittles her and her co-workers are just complete bastards. I'm sure that in reality there had to have been at least some decent guys working at the mine.
I also had trouble with the ending of the movie. The outcome of the trial is obviously never in doubt, but the way in which that outcome is reached is a little over-the-top, as most trials are in movies. The big climax comes when other workers at the trial stand up with Josey and admit that they've been harassed, including Josey's best friend Glory, who (I kid you not) is dying of Lou Gehrig's disease and has to be wheeled into the courtroom in a wheelchair.
To her credit, Theron handles the melodrama well. As she did in Monster, although not nearly to the same degree, she plays down her glamorous image. While the movie is set in the 80s, the costumes are all flannel and denim so she is spared the fashion excess of that decade, although she does sport a rather unfortunate haircut from the times.
Fellow Oscar winners McDormand and Spacek both have fairly small supporting roles, but the movie is clearly a spotlight for Theron and her repeat Oscar hopes. She does give an award-worthy performance, but the movie itself doesn't live up to her example.

















