
Every superhero movie balances precariously on the ledge of coolness with the pit of campiness yawning below them. Grown-ups in enough spandex and leather to fill an Adult Video Convention inhabiting a world where super powers are the norm is much trickier to pull off convincingly than it might seem. The first two X-men films, two of the best examples of the genre ever, strode that ledge with confidence. X-men: The Last Stand -- while still a very enjoyable film -- doesn't fall off the ledge, but it does wobble a bit on the edge.
The plot of the movie centers on the discovery of a "cure" for the mutant gene. While the creator of this new wonder drug, which is derived from the blood of another mutant whose power it is to nullify all other mutant's powers, claims that the cure is strictly there for who ever wants it, his real motivation in developing it is to "cure" his son Warren of the large wings growing out of his back that have earned him the moniker of Angel.
Magneto sees the news of the cure as his chance to rally more mutants to his cause. When it is discovered that a law enforcement officer is carrying a gun packed with darts containing the cure, Magneto raises an army for the purpose of taking out the lab where the drug is produced. The lab sits on Alcatraz Island.
Further complicating matters is the newly resurrected Jean Grey, who died at the end of the second movie. She's now incredibly powerful, angry and not a little insane. It doesn't take Magneto long to recruit her to his cause.
The X-men not only have to stop Magneto and rescue Jean, but also deal with implications of the cure, which tempts some of them with the idea of living a normal life.
One of the things that made the earlier X-men films great was that they were very much character driven. This installment is much more plot and action driven. There are still moments of X-men angst, but they take a back seat to the action, some of which is over the top. Such as when Magneto uses his power to rip the Golden Gate Bridge off its moorings and float it out to Alcatraz. This is very showy and all, but wouldn't it have been simpler and more of a surprise attack if he and his army had just stolen a few boats?
Perhaps a better example of how this movie loses much of the emotional weight of the earlier films is how the two films show the death of a major character. When Jean died it was affecting. In this movie, not one, but three major characters are killed off (one in the first 10 minutes) and all of them added together carry less impact than the one did in X-men: United.
Some of the dialogue is also a bit suspect. When Juggernaut proclaims, "I'm Juggernaut, bitch!" to Kitty, it elicits a laugh, but feels very out of place.
There is still a great deal to enjoy in this third and supposedly last installment of the X-men saga. Hugh Jackman is still great as Wolverine and Kelsey Grammer does a good job as Beast, the new kid on the block this time around. If you enjoyed the first two, you will undoubtedly have a good time with this one, just not quite as much.
Since this is the first of the films not to be directed by Bryan Singer, I suppose the blame will be laid at new director Brett Ratner's feet. It remains to be seen however if X-men's loss will be Superman's gain, as we await Singer's Superman Returns due out later this summer.


























