
Of all the many superhero franchises glutting theaters these days, the X-Men films remain my favorite. This is for a couple of reasons. One, because it's the comic book franchise I read the most as a teenager, and two, because they always seem to realize that characters are more important than spectacle. As strange as it may sound, given the presence of superheroes, their movies feel more rooted in the real world. That's why I found this, the latest X-Men film, to be a bit disappointing. It feels too much like every other bloated superhero movie on the market today, with a central bad guy intent on world domination, climaxing in a special effects laden battle that pits superhero against superhero.
The story is set in the 1980s, but the prologue begins thousands of years earlier in Egypt, where the original mutant, known as Apocalypse (Oscar Isaac) is ruling as a god. An uprising against him results in his being buried, but still very much alive. When he awakens, in the 1980s, he wastes little time in recruiting helpers and restarting his plans to conquer the world, and destroy it in the process. His choice for his "Four Horsemen" helpers are a combination of familiar and new faces and include Magneto, Storm, Psylocke, and Angel. Naturally, it's up to the X-Men to stop him.
One of the problems with a movie universe filled with so many characters is that when you try to include too many of them, none of them get the attention they deserve. Psylocke and Angel make very little impression. Magneto's submission to Apocalypse never rings true. And even Professor X, the heart of the franchise, feels underrepresented. Apocalypse himself is a boring villain and an actor of Oscar Isaac's caliber is wasted under all that makeup. Although, for once, Wolverine isn't a central character in the story, the filmmakers can't resist including him in a scene that feels more like fan service than a relevant plot point.
The most entertaining characters are the younger mutants Scott Summers (Cyclops), Jean Grey, and Kurt Wagner (Nightcrawler). Nightcrawler (along with the scene stealing Quicksilver) provides some comic relief, while Jean Grey hints at the dark power that lives within her. I wish the entire film had been told from their point of view. It might also have shortened the running time, which is a butt punishing 2 hours and 23 minutes.
Although I sound critical, I did still enjoy this movie. These characters and this world are as intriguing to me now as they were all those years ago when I would be engrossed in the pages of the many X-Men comic books. It's the interaction of these characters that I find interesting, much more than watching yet another CGI filled, special effects laden, battle, the outcome of which is never in doubt. This franchise has always attracted genuine actors, including several Oscar nominees/winners, but they are given little chance to exercise their acting muscles here.
Perhaps my expectations for X-Men films were set too high. I've come to expect greatness from them, while this one is merely good. It was the original X-Men film, released in 2000, that really kicked off the modern superhero genre. It took years for other superhero movies to catch up to them, but with this movie, the X-Men seem to be following the trends rather than setting them.

























