
At one point in the film, Dr. Holloran (Gleeson) says of the title character, "Jesus, I don't know what makes people lead such miserable lives." I would echo that statement, but alter it slightly to say, "Jesus, I don't know what makes people make such miserable movies." This overly long, depressing piece of work is without ever the slightest hope of a happy ending and that makes it a tough two hour slog to get through.
Of course the obvious reason that Glenn Close pushed so hard and so long to get it it made is because she gets to play the title character and she buries herself in the part and has been earning awards buzz and nominations for it. It's just a shame that the rest of the movie isn't that great.
Close plays Albert, a butler at a hotel in 19th century Ireland. She's a woman pretending to be a man for reasons that come out as the movie progresses. Near the beginning of the film she is forced to share her room and bed at the hotel with a workman who's doing some painting around the place. By an implausibly incredible coincidence, the workman is also a woman dressed up as a man. Either that or there were so many women going around impersonating men in Ireland in those days that she was bound to end up sleeping with one of them.
Finding a kindred spirit for the first time in her life, Albert strikes up a friendship of sorts with Hubert and learns a bit more about life. Hubert is married to another woman and this inspires Albert to pursue another woman who works at the hotel. It is Albert's dream to open a little shop and she wants to marry the maid and have them run the shop together.
Albert's pursuit of the maid is seemingly without sexual desire. For most of the movie she comes across completely ignorant of such matters. It doesn't even dawn on her until near the film's climax that Hubert is actually in love with her wife. Albert has repressed everything about herself for so long that she has difficulty reading the true emotions of others.
Part of the problem with this movie is that while Glenn Close just about manages to pass for a man, it's completely obvious that Hubert is a woman. I had no idea that there was another male impersonator in the film until the second Hubert showed up and I said, "Oh, she's a woman too." How does no one else in the movie not see it? The only reason they might not is because in those days no one would be expecting it, but even then, there's just no denying by the shape of her face that she's a woman.
Another problem with the movie is that from the very beginning it's obvious that there is never going to be a happy ending for Albert. Every signal along the way points to a tragic ending to this tale. And since we know that, the two hours that it takes to finally reach the depressing end feels even longer. Several times during the film I said to myself, "Oh just get there faster."
While Close does do a good job in the lead, to be honest it feels like a stunt or an acting exercise. Maybe if the story her character was inhabiting was more interesting then it might not feel that way, but it's not and it does.



















